Showing posts with label Federico Fellini. Show all posts
Showing posts with label Federico Fellini. Show all posts

31.10.11

Federico Fellini



Fellini died on this day in 1993 at the age of 73. He was a true master of cinema and auteur filmmaker. He is responsible for one of my favorite films, which is also one of the finest films about making films, 8 1/2. Here he is on the set of 8 1/2, with Claudia Cardinale.

16.6.10

Tristram Shandy: A Cock and Bull Story (2005)


I just watched this last night and it was really great! If you are a fan of Steve Coogan and/or Rob Brydon and/or director Michael Winterbottom and/or British humour you might like this! So, I was pretty kean on Winterbottom and Coogan's (and Brydon's, if only a small but quite funny role) prior collaboration 24 Hour Party People about the Madchester era of 80s new wave music. Here, they take on the unfilmable novel, The Life and Opinions of Tristram Shandy, Gentlemen, and make a great interpretation of it. What we have here is Steve Coogan and Rob Brydon playing a version of themselves acting in a film adaptation of an unbelievably complex (if not meandering) novel. The film starts with a simple telling of the story, but then we break off into the film production and then layers and layers are added on until the end of the film is barely the end of the production of the film within the film of the novel. You kind of have to just see it.

Coogan and Brydon.

But it's quite funny. Coogan and Brydon's escalating rivalry is hilarious to watch. After having worked on set a bunch I also enjoy seeing the behind the scenes stuff with all the crew members--including production assistants! I also enjoy this movie because it has a number of references to another film I quite enjoy: Fellini's 8 1/2. Along with the use of Nino Rota's theme for 8 1/2, Winterbottom's film has similar subject matter, and handles it in a similar way as Fellini's masterpiece. Like in 8 1/2, no one really seems to know what the film is going to look like (least of which the director!), and we are often flipping between reality, fantasy, dreams, and the diegetic world of the film without warning.

Brydon and Coogan.

There are some great scenes, especially all the ones featuring Coogan vs. Brydon, like when they compare teeth colours or Pacino impressions, or when Brydon insists Coogan help him identify how big his bald patch is. I especially enjoyed the extensive sequence where Lord Shandy, his brother, and the doctor are all downstairs in the study nonchalantly smoking pipes and pouring over historic battlefield maps, while, not out of ear-shot, Lady Shandy is literally screaming in pain (waiting for said doctor) as she is about to give birth to Tristram, it's quite hilarious (in a later scene the actress remarks about how she's been screaming for the last four days)! Have a look at the quite-funny trailer, as well!

7.5.10

Directors on set

Francois Truffaut (in the back of a 2CV!)

I LOVE each of these pictures. Directors in action. Part of me would be very, very happy to be a set stills photographer for the rest of my life. But when I look at these pictures, I truly know that being a filmmaker is what I want to do. Something about pictures like these spark some kind of excitement and inspiration in me, but it's really hard to pinpoint! I guess it just looks like good fun.
Roman Polanski (behind camera)

Rainer Fassbinder

Otto Preminger

Luchino Visconti

Martin Scorsese (with black goatee and beltbuckle)

Woody Allen (in Gilligan Hat)

Stanley Kubrick (I think this is my favorite.)

David Lynch

Agnes Varda (director of Cleo de 5 a 7)

Federico Fellini (update: No, this is my favorite. Fellini is somehow unbelievably photogenic, how is that?!)


Except for the Francois Truffaut one at the top, these are all from http://www.anneyhall.tumblr.com/